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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, 30 May 2008

A New Poem

Rather than my usual rant, this post comes under the heading of a diary entry, or possibly shameless self-promotion! Hell, why else do I write this thing?

Whitman
The town of Bolton has a long and powerful connection to America's greatest poet, Walt Whitman. The museum even has Whitman's canary. It's a long story.
In a fit of synchronicitous timing I've had a whole Walt Whitman week. I've been reading about him, writing about him (he features in a forthcoming book, pluggity plug!) and last night I was part of the band who played some tunes for the University of Bolton's section of the Walt Whitman Weekend that's happening in Bolton.
I'm thinking of growing a huge white beard and fancying soldiers now!

Anyway.
I don't write enough poetry. I always feel like I'm doing too many other things to find the time and moving too fast for the inspiration to hit me.
So - on Wednesday evening I went to the starting event of the LRM's psychogeography festival (see the link at the side of the page). On the way back I bought some cider for my beloved and I to share. The thing is that alcohol, endorphins from a 10-mile cycle ride, and a head full of things to do aren't really conducive to a good night's sleep. I'm normally early-to-bed-early-to-rise; this time I collapsed at midnight and woke at 2:30am with weird dreams, reflux pains and an inability to get back to sleep.

Side note: For those who don't know, acid reflux is one of those joys of getting older - abuse your body at 20, pay for it at 40!

Since I had a headful of Whitman and couldn't sleep I decided to write about it and exorcise his spirit at the same time. To whit(!), I wrote a Whitman-inspired poem.
Derivative? Probably. A pale imitation? Certainly. But actually, I quite like it.
So here it is:

I am empty of sleep
Because too full of what is, and is, and will be
And that which is, which opens itself before me.
With all, and of all, and be all resounding
Excludes dream
Until thought and fullness overflowing force escape to ink and paper
And the fluttering, laughing, howling mind pinned,
Folded, forced into
Inadequate shapes of words.
Seán Fitton
May 2008


In other news:
If you can get to the Royal Exchange in Manchester before the end of June, please do so. There's an exhibition on which is part of the LRM's "Get Lost" psychogeography festival (yup, the link's at the side of this post!), which includes 5 paintings by me.
I'm amazed too.
I originally offered one, which is a kind of map crossed with a kind of sigil. The other four are naked cyclists which I painted for the I Bike MCR festival but which, for reasons not fully given, were never displayed. The LRM's organiser, leading light and generally very fabulous person, Morag asked if she could have them in an emergency. The emergency happened!

And finally. . .
World Naked Bike Ride is coming!
Manchester's leg (please excuse the pun!) will start by meeting at 6pm outside the Basement Café on Lever Street, on Friday the 13th June. It's "bare as you dare", which means you aren't expected to strip off completely if you don't want to, just be there and ride.

If you can't ride, please come to watch your local city's ride and support it. Here's a link to the world site where you can find your local ride and take the chance to show your botty in public.


In the middle of all this I'm getting married. I wonder if I've got the time!

Love,
Seán

Sunday, 27 January 2008

six_events the report.

I've spent the last week doing an international interactive art thingy called "six_events". It's a little difficult to describe, so I recommend going here to understand what it was all about:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=280211565

The main body of this will be the reports I sent each day to the organiser, Matthew Lee Knowles. Each daily report also contains references to photographs. They can be found here:

http://www.flickr.com/photos/10634308@N03/sets/72157603801879566/

1 - BUS. Mon 21/01/08
Well, that was odd.
The idea was to take an unpremeditated bus ride, and since I normally cycle to work I was wondering how to fit it in. It seems the fates decided.
I got up this morning to torrents of water falling from the sky - a bus ride had been decided for me! This required getting some cash out of the machine at Asda and breaking it at a paper shop (Asda being closed). I'm of the sort of age that won't give a bus driver a tenner.
After that, catch the bus to work from Radcliffe Bus Station - not the least depressing place in the world, especially at 6.45am (see pic day 1-1).
Disaster - the paper shop was shut!
A walk was required to find another paper shop for change and then another bus stop. Both were found, but neither were especially nice (qv. day 1-2). An unpremeditated beginning to my journey.
When the bus eventually arrived at 7.20, it was getting quite full (day 1-3). It's amazing how so many people can be so quiet in such a small place, each sitting entirely on their own next to someone, listening to the windscreen wipers' rhythmic squeeeeeeek. Everyone has such protective body language, covering themselves with newspapers, bags and hands folded on laps - including me. It smelled of rainy coats and faint tobacco and Monday-morning-don't-want-to-go-to-work-ness.
How to decide where to get off? Fortunately a woman - about 30, black and slim with a plastic bag on her lap - had sat down beside me, so I let her decide. Also fortunately it was at 7.45 at the stop before Bolton Bus Station where I normally get off (day 1-4). I'd like to give that angel a small vote of thanks for saving me another soaking.
As an extra prize, I saved the ticket. (day 1-5)

2 - ROAD. Tue 22/01/08
I found my magickal road through my complete inability to find hi-vis gloves in Bolton. It turned out to be, at least temporarily, the road with no name. So at 2:25pm I got off my bike and pushed around the corner, to be faced by the back end of a wagon, evidently called Smitty (day 2-1).
Whatever it's called, it's a noisy road that rises up and down like Newton's gravity - what goes up above the railway must come down beyond the railway (day 2-2). No apples fell on my head.
This is a road which keeps its dangerous buildings behind bars (day 2-3) - possibly to stop them from attacking unsuspecting situationists pushing their bikes - although the elephant on the pavement gave me some very good advice for life (day 2-4). The shouting of the children from the school across the road threatened to drown out the traffic.
Finally at the end of the road, and at the end of about ten minutes' pushing, the mystery was revealed (day 2-5). Green Lane. Hurrah!
So it's back on the bike and off to the modelling gig.
Oh, bugger. I forgot to clap!

3 - BUILDING. Wed 23/01/08
I've had to cheat a bit on this one!
The building I entered at 7:45 this morning was the one in and outside of which I work - The University of Bolton, specifically the caretaker's office.
I've seriously discovered the building today. I've discovered how hard it is to get full filing cabinets through double doors and that the most popular receptionist is leaving in two weeks!
I did get to sit down, but closing my eyes for more than a moment wasn't really much of an option - so I tried to listen to the University. It sounds like people talking, and talking, and talking. Given time surrealist conversations could be created in the style of the cadavre exquis simply by recording the snatches of conversation of the people who walk past a window.
The photo record was simple - four piccies of the office, which I wanted to leave, taken facing South, West, North and East in that order.
It's amazing how easy it is to forget one's intentions when thrown into a world of busy-ness, and I was glad to leave the building for another day, six and a bit hours later at 2pm.

4 - SUPERMARKET. Thu 24/01/08
Have you ever felt like Kevin McCarthy in Invasion of the Body Snatchers? I have. It happens every time I walk into a supermarket, and walking up and down the aisles feels like I'm pretending to be a zombie so they don't notice me.
The supermarket I chose was Morrisons in Bolton on the way home from work (day 4-1 and day 4-2). Walking in at around 2:10pm and using my funny little trolley token for the first time. I'm really glad to say that there was no muzak, in fact everyone was remarkably quiet (and wearing invisible blinkers).
My find for less than a pound was easy, a local newspaper for 38p! (day 4-5) The hunt for the thing to relocate was a little harder - until I saw the chocolate Santa leftover from the Christmas displays. Here's the little fella for me! Now where would he be happier?
I found his ideal new home on the magazine rack (day 4-3). I think he'd like to be a male model.
Then I queued to pay (day 4-4)!
What to do with the newspaper? I decided to anonymously donate it to whoever had my bus seat after me.
The overriding feeling on this day's event was nervousness. Why did it feel naughty to take photos in a supermarket? There were signs saying no this and no that, but none saying no photography. Yet, I was still expecting to be thrown out by a security guard.
How's that for social brainwashing?

5 - PUB. Fri 25/01/08
This was by far the scariest event of all. I don't like pubs very much anyway and I made a poor choice - I chose the scally pub!
Anyway, on the way to my birthday night out (at a much nicer private nightclub for goths, trannies and other misfits) I chose the Black Lion in Salford for my sixth event (day 5-1, day 5-2).
I entered the pub at approximately 9:25pm, immediately screened out the appalling music and the fact that I was being scrutinised by the Mancunian equivalent of the clientele at The Slaughtered Lamb, and gave the small troll behind the bar my nicest smile.
"Hi, how are you?"
Silence.
"Could I get a glass of water please?"
She refused my offer of payment, so I took the glass to a small table in an, as yet, unoccupied area and photographed it (day 5-3). I then left the pub for somewhere much, much nicer. I was there for a total of three minutes. It didn't even smell pleasant.
Day 6 is going to be a lot more fun.

6 - Park. Sun 27/01/08
The last event but not the least enjoyable.
I entered my park at 2:20 pm. Okay, call it a park. It's more of a small field behind a council estate (day 6-1), but it has a kiddies' play area so it's officially a park. It also has coal tits which I stood and watched/listened to for a while, but couldn't photograph because they move too fast for me.
I also, as instructed, looked at the sky. A January sky isn't particularly interesting (day 6-2). Much more interesting was the strange insect-caused growth (day 6-3) on the budding tree (day 6-4), although you can't play golf with it! (day 6-5).
The field also proved itself to be a park by virtue of having a path, seats and doggy-do bins (day 6-6 and day 6-7). Finally, I found that it also had a front gate! (day 6-8). Serves me right for going in the back way.
A cold and dull Sunday doesn't make for an exciting day in the park, there were two other adults and one child on the play area, but the birds were excellent little performers for the 15 minutes I was there. Gone at 2:35 and back home to warm my ears.

Conclusions:
Why did I do this? Possibly because I was asked. Part of me wonders if Matthew isn't some odd person who gets off by having people do weird things for him. If he is he's going to be drowning in emails!

Actually it felt a lot like psychogeography, the making of the mundane into something special, the ordinary into something strange. It's a psychological method of living like a Betjeman poem.

Doing weird things like this makes one look at the world in a different way, even if it's only for five minutes, and for all of us that's got to be a good thing.

Love,
Seán

Tuesday, 22 January 2008

Six_Events.

I'm doing six_events.

More on this later but for now information can be found here:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=280211565

Love,
Seán

Tuesday, 8 January 2008

News in the Nudes

I've just realized that this is my first post of 2008, so if you're reading this -
Happy New Year!

Anyway, part of the inspiration for this inconsequential ramble came from here:
http://losing-the-thread.blogspot.com/2008/01/topfree-equality.html


The other part came from the fact that very soon I'm going to spend two hours sat/stood/lay in front of a group of people, and I won't have any clothes on. In my quest to question the entire universe therefore, I'm going to ask why. Not why am I doing it ? per se, I already know that. I'm doing it because I'm good at it and I enjoy being paid £8.50 per hour for being an attention-seeking old tart! What I'm questioning is why our dichotomous relationship with the naked human body?

Bare Bits
It seems strange to me that our western society uses the nude as the greatest of its art forms, yet at the same time considers nakedness as something corrupting. For instance, I can take my children to an art gallery full of, often very realistic, paintings and sculptures of people without clothes but they can't see an unclothed person on a film because that gets rated as adult.
Film censors are strange like that. A 14 year-old can watch some of the most horrific violence, yet as soon as someone takes their clothes off the film gets an adults-only rating.

Back to art. I can (and will) sit naked in a room full of clothed people, and anybody can see me do it - it's a publicly advertised drop-in group for life drawing. Yet if I walked down the street naked I would be arrested. Interestingly, I wouldn't be arrested for public nudity because it's not actually illegal in Britain but if someone were to complain then I could be arrested for Breach of the Peace. I wonder how many police officers would observe such niceties.

The situation is worse for women, they can't even take their top halves off without someone being appalled by an offensive nipple. Some women have actually used this shock value as a political tool, PETA are famous for it.

Am I a Hypocrite?
At the same time a funny thought arises, I like looking at naked women! I like looking at clothed women too, but I prefer naked ones. Is this a subconscious sexualization or just personal taste in the same way that I like looking at mushrooms, or complicated Victorian architecture?

Thinking of situations I've been in involving group nudity, I've not been offended by anybody's body and seriously impressed by a few, but I definitely liked looking at the women more than anyone else; and women of all sorts of shapes and sizes depending on how it seemed to suit them. Thinking even more deeply, I've just realized that the most attractive people I've met without clothes are actually the people I've already found attractive regardless of what they were wearing, or not. In other words, naked is good and can be a turn-on, but the real turn-on is the person and not their body (I think!).
Phew! I'm obviously not as shallow as I thought.

So Why Does It Matter?
It's a question I've been asking myself for a while: why does it matter to be naked? I have realized in a religious context that nude rituals are definitely the best. Being naked ("skyclad"!) in that situation is equivalent to making a universal statement: This is me. Entire. Uncovered. With nothing hidden.
Why, then, is the nude so popular in art? I can understand nude drawing from the point of a couple of the artists that attend to draw me, because they're animation students. To them a good working knowledge of human anatomy is indispensable. Can this be said for the other artists, though?
Drawing a human being, a human being draped in cloth or simply some draped cloth are equally difficult/easy. It's all about line, shadow, highlight, shade and so-on. It doesn't have to be a naked human being at all and yet drawing the naked human being is considered the pinnacle of art. Perhaps it comes from the thought that Man is the Measure of All Things. This uniquely Classical Greek idea has some sway over artists and society in general, but I find it to be a false flattery. Most models would.
Who would you prefer to draw or paint? Would you prefer the almost featureless, slender modern concept of the perfect "body-beautiful" (Kate Moss, for instance) or would you rather attempt to portray a normal person? You know, with fat bits, different textures and a variety of shapes and colours?
Me too!

Why Does it Matter to Me?
Why indeed. Why, if I'm so comfortable naked, do my balls shrink when I disrobe to take the first pose? Why am I bothered about the size of my paunch when I know it makes me more interesting to an artist?
I'm more comfortable naked than most, and I know that most people who don't have a serious hang-up become a lot more comfortable and relaxed after about ten minutes of group nudity. But am I still as comfortable as I'd like to be nude in public or am I still fighting my socialization which says that naked equals sex? I think perhaps that it matters because I'm trying to be who I am and not what I've been made.

In an ideal world it wouldn't matter if you went shopping in your birthday suit or a three-piece so long as you were happy and comfortable, but to our societal norms it does. Perhaps as Lily The Pink says in her blog, it's about time we started to go Cretan!

Love,
Seán

ADDITIONAL
After publishing this post I decided to decorate it with some pictures. The photo at the top is my "official" modelling picture taken by Sara Smith.

The drawings of me were created by three of the artists during the University of Bolton's life drawing group that I mentioned in the post. Going from top to bottom they are by:

Martin John Hayes
A. Pederson
Dave Cowley.

A special thanks goes to these three artists for letting me borrow their work.

Love,
Seán